the first 3 words say it all: an unbelievable “discovery”

The first three words of the newly released The Resurrection Tomb Mystery trailer say all that you need to know: AN UNBELIEVABLE “DISCOVERY”

I couldn’t agree more. (And I see no mention of Jonah anywhere in the trailer…)

James Tabor is Correct: ‘It’s Anything But a Fish’: Logical Fallacies in Defense of the “Jonah Ossuary” Theory

Dr. James Tabor has once again doubled down on his theory, shared by his Jesus Discovery co-author, Mr. Simcha Jacobovici, that Ossuary 6 discovered in a tomb in Jerusalem is covered in fish.

Having “jumped the tropical fish shark,” Dr. Tabor is once again making a number of rhetorical arguments that attempt to distract from the evidence at hand.

First, Dr. Tabor uses the straw man argument of “well, those who interpreted the object as a nephesh pillar have gone silent,” and therefore he (Dr. Tabor) must be correct. This logic, however, fails to take into account a number of possibilities including, but not limited to:

  1. They’ve made their analysis and they’ve moved on. They may still stand by their analysis, and they may not.
  2. They’ve followed the scientific paradigm of presenting their own theory, and then allowing other scholars present other theories, and they are now allowing those theories that appear to be gaining more scholarly consensus to stand.
  3. Because they’ve not said anything, we can’t be sure they based their initial analyses upon Photoshopped imagery (as I conceded I had done).

But this is an example of a rhetorical logical fallacy. Just because the initial critics have fallen silent does not mean that the more recent, more populous criticisms are not valid. Likewise, attempting to argue, “Well, because different scholars have proposed different theories, then some scholars who opposed us must be wrong,” doesn’t make the “fish theory” any more correct. This is a logical fallacy.

Second, Dr. Tabor states:

‎”…it was surely unlike anything seen on any other ossuary. That, everyone seems to now agree upon, even those proposing some kind of vase or amphora.”

The logical fallacy employed here is the errant assumption that because it is ‘unique,’ his ‘unique’ interpretation is correct. Dr. Tabor gets bonus points for an “appeal to dissenters,” arguing that because those who disagree with his interpretation also agree that it is ‘unique‘, that they must also support the remainder of his interpretation. They do not.

This is another example of a logical fallacy. Just because it is unique does not make it a fish, as it could be another unique object.

The third and perhaps most egregious fallacious argument is Dr. Tabor’s argument concerning the handles on his fish. I (and others, namely Mark Goodacre, Tom Verenna, Michael Heiser, ) have demonstrated in earlier posts that Dr. Tabor’s multiple ‘fish’ appear to have handles.

Dr. Tabor states:

Most recently it has been suggested by those arguing the image is some kind of vase, that it actually has handles attached to what we identify as the fish’s tail. A closeup view of this area makes it clear that there is certainly no handle remotely resembling that of a vase or amphora but just a couple of stray lines, unconnected to the image, that the engraver might have even made by mistake…It is also the case that the “handles” imagined on our other image…simple [sic, assuming 'simply'] are not there. The “handle” that is supposedly on the left is at a right angle and not even attached, clearly a random mark, and the “handle” identified on the right looks curved and it is also unclear as to whether it is actually a part of the image or a random scratch. (emphases mine)

So, according to Dr. Tabor, what appear to be handles are (in order of appearance): “a couple of stray lines,” “unconnected to the image,” “made by mistake,” “imagined,” “simply not there,” “a random mark,” and “random scratch.”

Nothing to see here. Please disperse. There is no handle here. You are "imagining" things. It is a "random scratch." It is "unattached." It is only a "couple of stray lines." What is highlighted in red above is "simply not there." They were "made by mistake." It's only a flesh wound.

Nothing to see here. No handles here either. Again, you are "imagining" things. They are completely "random scratches." They are just "stray lines" "made by mistake." They are "simply not there."

Of course, what Dr. Tabor fails to mention is that the ‘fish’ appears to have the same “imagined” “mistaken” “unconnected” “randomly scratched” “stray lines” in the same random size, in the same random shape, and in the same random place on the opposite corresponding side of the vessel! (Coincidentally, these are clearly seen in an image that Dr. Tabor did not show in his blog post, and that for some reason conveniently does not appear among the website photos).

Handles on both sides of the Jonah Ossuary image

I believe it is apparent from the above evidence that whatever it is at the top of each side of the engraved image on Ossuary 6 above, the fact that they are the same size, same shape, and same corresponding location on both sides of the image argues firmly against any claim that they are in any way, shape, manner, or form “stray lines,” “made by mistake,” “imagined,” “simply not there,” or  “random.”

I don’t really know what else to say. Fish don’t have handles. It’s getting to the point where it’s become almost comical, and I really must begin to ask who it is that is doing the imagining…

P.S. For those reading who do not know me, Dr. Tabor, or the other scholars involved in this debate, please know that everyone involved has a very good sense of humor, which allows us to remain in professional conversation about the “Jonah Ossuary.” Several of us (including me here and here and Dr. Tabor here) have made use of humor, parody, and satire at times in our arguments.

In keeping with this tradition, please allow me to conclude with perhaps Monty Python’s best known sketch (and a true comedic masterpiece), which I believe best illustrates Mr. Jacobovici and Dr. Tabor’s continued insistence that the imagery on Ossuary 6 is a healthy, beautiful, easy-to-see parrot fish. Mr. Jacobovici and Dr. Tabor are the shopkeeper behind the counter, and the rest of the academy (not somehow affiliated with Simcha or this project) is the customer. Enjoy.

Absolutely excellent article by Nina Burleigh about the “James Ossuary” trial

Scientists have cast doubt on this ossuary inscription. (Israel Antiquities Authority / Associated Press / March 23, 2012) via LA Times.

Author Nina Burleigh has penned an excellent, must-read Op-Ed in the Los Angeles Times entitled, “Faith, forgery, science — and the James Ossuary.”

Burleigh not only summarizes the case, but describes the growing problem stemming from scholars attempting to be truthful in the sensationalistic popular and legal environments to which they may not be accustomed. She also laments the problem of religions zealots appealing directly to the public to combat inconvenient scientific facts that undermine their faith claims:

The particulars of science matter little to zealots defending a creed…Attacking scientists is increasingly common as religious and ideological zealots flatly reject data that offend their creeds.

It is a very well written piece about an unfortunate problem in archaeology.

She also highlights a point that many supporters conveniently overlook: the judge specifically did not rule on the authenticity of the ossuary.

“This is not to say that the inscription on the ossuary is true and authentic and was written 2,000 years ago….

Rather, the prosecution failed to prove beyond a reasonable doubt that Golan forged the ossuary.

“The prosecution failed to prove beyond all reasonable doubt what was stated in the indictment: that the ossuary is a forgery and that Mr. Golan or someone acting on his behalf forged it,” the judge stated.

There is a big difference between “it’s authentic” and “we can’t prove that he faked it beyond all reasonable doubt.”

Give it a read.

HT: Jim West.

YouTube Tutorial on Correcting for Perspective in Photoshop: “Jonah Ossuary” Edition

I have created a new video on my YouTube account, which is a tutorial explaining how to correct for perspective in Photoshop. The tutorial was prompted by the release of a CGI image of the so-called “Jonah Great Fish” image inscribed on Ossuary 6 discovered in a tomb in Jerusalem, as well as other images released by Dr. James Tabor and Mr. Simcha Jacobovici in their book, The Jesus Discovery.

The video is here:

Give it a watch (and apologies in advance for the 26 minute length).

the “jonah ossuary” theory has finally “jumped the shark” (only, it’s a tropical fish)

I recently read the latest post by Dr. James Tabor on his blog.

While arguing that the image on the front of Ossuary 6 should be viewed as a fish seen from its side, Dr. Tabor states at one point:

“Jerry Lutgen showed our image to a couple of marine biologists in Florida recently and they both immediately identified it as a fairly accurate drawing of a common fish.”

I know this to be true because the same Jerry Lutgen made the same comments on my blog, where he wrote:

I circulated the “fish” image to three fish experts, two staff members of a large marine biology center in the US and one a renowned ichthyologist from Israel.

When asked if they saw a fish or an inanimate object like a vase, both of the US fish guys had no trouble seeing a fish. As one of them said: ”I would have guessed it was a depiction of a fish more so than a vase”

In response to the question; “is it a fish”, the reply of the Israeli ichthyologist is compelling. He states:

I believe that it is a triggerfish from the BALISTIDAE family. It is the only family presenting a first dorsal fin transformed to a strong spine; same for the ventral fin…

What Dr. Tabor didn’t mention in his blog is that Mr. Lutgen’s ichthyologist friend identified the Ossuary 6 image specifically as a triggerfish of the family Balistidae. I have included a picture of a triggerfish below.

Queen Triggerfish (Image via Wikipedia)

A Queen Triggerfish (of family Balistidae), rotated 90-degrees clockwise to place specimen on its side and in the necessary orientation to correspond to the so-called "Jonah Ossuary." (Image via Wikipedia:

Of course, the problem with this (and perhaps the reason Dr. Tabor didn’t mention it) is that triggerfishes are tropical fish that range from 20-50 cm (not meters, centimeters!) long, with the largest species (the stone triggerfish) maxing out at one meter long:

Triggerfishes are about 40 species of often brightly colored fishes of the family Balistidae. Often marked by lines and spots, they inhabit tropical and subtropical oceans throughout the world, with the greatest species richness in the Indo-Pacific. Most are found in relatively shallow, coastal habitats, especially at coral reefs…

The largest member of the family, the stone triggerfish (Pseudobalistes naufragium) reaches 1 metre (3.3 ft), but most species have a maximum length between 20 and 50 centimetres (7.9 and 20 in).

You read that correctly: the “Jonah’s Great Fish” tale has become so precarious, that the theory of a “fish” depicted on Ossuary 6 has come to rely on its similarity to a 50 cm tropical fish.

I would show you an image of a “seaweed wrapped head of a stick figure” coming out of the mouth of a triggerfish, but the only photo I could find of a triggerfish of the family Balistidae in relation to a human is this picture of a triggerfish bite to a human hand received from a ill-tempered specimen:

Triggerfish bite

A triggerfish bite. No wonder the artist of the "Jonah Ossuary" drew a stick figure: they are easier for tropical fish to swallow.

Therefore, as a public service, I have provided the chart below to demonstrate the mental back flips one must perform in order to arrive at the conclusions Mr. Jacobovici and Dr. Tabor are drawing from the evidence before us:

The Anatomy of the "Jonah Ossuary" Theory. These are the steps one must accept in order to conclude that a 50 cm tropical fish is the inspiration behind the image of a supposed "great fish" inscribed on Ossuary 6.

The Anatomy of the "Jonah Ossuary" Theory. These are the steps one must accept in order to conclude that a 50 cm tropical fish is the inspiration behind the image of a supposed "great fish" inscribed on Ossuary 6.

I’m just not certain that this is the דג גדול (“great fish”) that Jonah 1:17 (2:1) was talking about.

Why would an artist choose a 50 cm tropical fish, more likely to be found in the tropical and subtropical reefs in the Gulf of Aqaba than in the Mediterranean (Joppa to Tarshish), to represent a “great fish” capable of swallowing a man?

And why would said artist spend so much time illustrating the relatively intricate geometric designs on the “body” of the vessel “fish” and then make a stick figure human?

Not to add yet another fish pun to the mix, but I now believe the entire “Jonah Ossuary” theory has officially “jumped the shark.” For those not familiar:

Jumping the shark is an idiom created by Jon Hein that is used to describe the moment in the evolution of a television show sensational archaeological theory when it begins a decline in quality that is beyond recovery. The phrase is also used to refer to a particular scene, episode or aspect of a show the supposed “evidence” in which the writers use some type of “gimmick” in a desperate attempt to keep viewers’ interest.

I’m sorry, but I don’t know how else to say it. There are no fishes on the ossuary. The “fish in the margins” are not fish. (They are oval decorations.) The “half fish” is not a fish (It is a vessel with visible handles on each side). And the “Jonah fish” is not a fish. (It, too, is a vessel with handles on each side.) The “seaweed wrapped head” is not a seaweed wrapped head. (It is the base of the vessel). And the inscription does not say what Mr. Jacobovici and Dr. Tabor say it says (see also here).

I have no problem with Dr. Tabor’s argument that the “sign of Jonah” and the iconography of a “great fish” are symbolic of resurrection. None whatsoever. It has much merit. The problem is, we simply don’t have fish or the “sign of Jonah” in the “Patio Tomb,” not with the iconography, not with the inscription. And with the recent appeals to parallels with tropical fish, I’m afraid all we’re now at the moment where Fonzie “jumps the shark,” only in this case, it’s a tropical fish, thereby signalling the beginning of the end of this entire ordeal.

(And the Resurrection Tomb documentary hasn’t even aired yet.)

2 Years Ago Today: Happy Anniversary Roslyn

Thank you for your love, Ros. When you think about it, it has been a rather wild 2 years…

Robert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingRobert and Roslyn Cargill WeddingHoneymoon in IrelandBig SurMac on the WayMacLaren Grey CargillTali and MacHome Sweet Iowa CityMac SmilesFamilyRobert and Roslyn Cargill Wedding

Thanx for marrying me!

From Death to Life: Conversion in Joseph and Aseneth by Dr. Randall D. Chesnutt

"From Death to Life: Conversion in Joseph and Aseneth" by Dr. Randall D. Chesnutt

"From Death to Life: Conversion in Joseph and Aseneth" by Dr. Randall D. Chesnutt

This book was published long before I began blogging, but I wanted to make sure and highlight it.

From Death to Life: Conversion in Joseph and Aseneth was published by Sheffield Academic Press in 1995 by my Pepperdine University advisor, colleague, and friend, Dr. Randall Chesnutt. It is volume 16 of the Journal for the Study of the Pseudepigrapha Supplement Series, edited by James Charlesworth. The monograph was the first analysis written in English on any aspect of the ~1st C. BCE/CE story of Joseph and Aseneth, and focuses upon Aseneth’s conversion to Judaism, which resolves questions about the Jewish patriarch marrying a foreign wife.

I am interested in all things related to Joseph and Aseneth, so I heartily recommend this work.


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